Move your computer cursor to or press upon a cell in the meadowmesh to read its contents.

—the metallic trackmesh—the aircushion / aether is reverberating throughout / whisperings of sylvan exilees are kneeling / aside the leaflitter and pinestraw / entreaties—of desperation not contrition— / reintegration—a lacy filigree—a vertexgraph / mathematical meadow—flintily sheening with dew / whitecloud gathering treeshiver irrespective of / concrete thresholds into exhaustingly flaccid / of nettle swaths or on intermittent piers down / loam and mud is running on and on and out / until it doesn’t until it is reaching the voronoic / of cadaverous forests—through the settling / boiling corpses of translucent exilee chum / to the Sea of Murmans is flowing and not/ Kolva—more delicately graduating / and the Seyda and / the Lemva
the aircushion of its soniferous in the / throughout the ADA with the openness / kneeling to a rail brushing emergence / and pinestraw and speaking low of a firestorm / not contrition—for salvation and or the wireless / filigree—a vertexgraph freespace, the infrastructure / flintily sheening with dew gathering scratchdash is / treeshiver irrespective of asphalt and the vista diagonally / exhaustingly flaccid subductions uprights, the / intermittent piers down through the against the pictureplane / running on and on and out and beyond distance is curtaining / reaching the voronoic hinterlands the spindles and / through the settling steambank of knifings of horizon / translucent exilee chum suspension—the brown snow / and not ending but with the thickening / graduating in tendrils, a concentric / lone arabesque glinting against / sheen spanning
the areas of recessive darkness is the / openness of more depth allowing the / emergence of conifer trunks in the suffering / of a firestorm spindly without their branches / and or the wireless timbers of incomplete rural / freespace, the infrastructure networks, snowdash or / and the vista diagonally before the black ashy / subductions uprights, the brown snow is flattening / through the against the pictureplane pachydermal, the / beyond distance is curtaining steel platingly beyond / hinterlands the spindles and faraway or youthful palette / of knifings of horizon conifers and arrowheads, / the brown snow is overtaking the landscape / with the thickening of its internal cyclones in / concentric radii around a silhouette slumping / a bare tree trunk is unable / telegraphing
mud is running on / it doesn’t until it is reaching the / cadaverous forests—through the settling / boiling corpses of translucent exilee chum / to the Sea of Murmans is flowing and not / the Kolva—more delicately graduating / the Vorkuta and the Seyda and lone arabesque / the Yelets and the Lemva and fogwhite sheen / the Bolshoy Kochmes and the vibrations into / Kosyu—flowing into the Usa imprisonment / flowing into the Pechora emptying, yet even imprisonment / to forest by the trackmesh such small structure / freezing air is underlying the hillock at the / pulverization in suspension the timber / the brown horse over there, crossgrain / says something to the platoon unspoolingly / no longer the Yasaka / Incident of 2003
out and beyond / the voronoic hinterlands the spindles / the settling steambank of knifings / translucent exilee chum suspension—the brown / flowing and not ending but with the thickening / delicately graduating in tendrils, a concentric radii / and lone arabesque glinting against a bare tree / and fogwhite sheen spanning a mass grave telegraphing / and the vibrations into limply resonating species of / Usa imprisonment is not scraping the mistcoat / emptying, yet even imprisonment is beside the inextricable / such small structure cresting just over the / underlying the hillock at the end of an axial inscription / suspension the timber uprights are drawing on the / there, crossgrain of the slope but without wire / unspoolingly leading back to the / grains of the black snow surrounding / and deathly smell
curtaining steel platingly / spindles and faraway or youthful / knifings of horizon conifers and arrowheads, / the brown snow is overtaking the landscape / but with the thickening of its internal cyclones in / tendrils, a concentric radii around a silhouette slumping / glinting against a bare tree trunk is unable to see the / spanning a mass grave telegraphing continentally distant / limply resonating species of nonthermal advection, even / not scraping the mistcoat of lime from the tongue / imprisonment is beside the inextricable tetherment of city / cresting just over the that the crispness of freshly / an axial inscription particulate grit of aggregate / drawing on the through the streets / but without wire imported from Portugal—the / to the city in Japanese—the Yasaka / surrounding an dam at Ikaho, especially / cartel mountains
Pechora emptying, / forest by the trackmesh such small / freezing air is underlying the hillock / pulverization in suspension the timber / the brown horse over there, crossgrain / squid says something to the platoon unspoolingly / at Ikaho is no longer the Yasaka grains of the / the Yakamoto Incident of 2003—awkward and / barbiturates—galaxy of the mind—reports of a horn / out at the gallows—harvesting and snowswirl / stealing from the mind of the last frozen brown / gas from the Fields of Dank—manufacture / of the Badlands—enhancing prisoners stalling / #67—carpet bombing the bat figures on / lens for the CCTV camera over on Center Point / experience something like cosmic horror / —the pastime of complex / assistance of a map and
even imprisonment / small structure cresting just / hillock at the end of an axial inscription / suspension the timber uprights are drawing on / there, crossgrain of slope but without wire / platoon unspoolingly leading back to the city / Yasaka grains of the black snow surrounding an / 2003—awkward and deathly smell, the continual cartel / mind—reports of a horn high in the snowslash princess / harvesting and snowswirl screaming, legibility of the souls / the last frozen brown snow and its delineatory true / Dank—manufacture in the field where the / enhancing prisoners stalling and collapsing all the / bat figures on the ground sitting with their / on Center Point Rd.—peering at the light / cosmic horror—taking thirteen wives / navigation the riverbank / although 3:33AM
the inextricable tetherment / over the that the crispness / axial inscription particulate grit of aggregate / drawing on the through the streets, / but without wire imported from Portugal—the / back to the city in Japanese—the Yasaka dam / snow surrounding an dam at Ikaho, especially after / smell, the continual cartel mountains—convoy for / high in snowslash princess puking her brains / screaming, legibility of the souls from the cotton slaves— / and its delineatory true conjurer—eliminating / field where the overpowering the dictator / collapsing, all the the view angle of drone / sitting with their cave—ordering a new optic / peering at the light from within the Colossal Cave, / thirteen wives hostage and then leading / riverbank—looking at the colour / running laps around Lake
the Fields of Dank—manufacture / the Badlands—enhancing prisoners / —carpet bombing the bat figures on / lens for the CCTV camera over on Center Point / just to experience something like cosmic horror— / orienteering—the pastime of complex navigation / with the assistance of a map and compass—although / more elementally the pastime of cognitively complex / locomotion and spatial reasoning—is difficult but / impossible in prison naming this game «Purgation» / naming this game «Boredom» naming this / «DetourNament», naming this game «Agents of / Mesh», naming this game «Mesh Agent», naming / «The Meadows of Madness», the perceptions / equilibrium—or the self leveling properties
brown snow and / manufacture in the field where / prisoners stalling and collapsing, all / bat figures on the ground sitting with their / on Center Point Rd.—peering at the light / like cosmic horror—taking thirteen wives hostage / complex navigation the riverbank –looking / and compass—although 3:33AM—running laps / pastime of cognitively complex to the Baldick sea are / reasoning—is difficult but not the Okkervil is flowing / this game «Purgation» Mga and the Tosna / «Boredom» naming this game Vishera and—the / game «Agents of the flowing into—the / «Mesh Agent», naming this the Shelon and— / the perceptions of flowing into— / properties of fluids—the Uver and / detectable by a body in the Berezayka / low and Lake
delineatory true conjurer / where the overpowering the / collapsing, all the the viewing angle of / sitting with their cave—ordering a new / peering at the light from within the Colossal Cave, / thirteen wives hostage and then leading them to / the riverbank—looking at the colour of sand at / 3:33AM—running laps around Lake Victory / to the Baldick sea are flowing the Izhora and— / the Okkervil is flowing into—the Okhta and the / Mga and the Tosna and—the Syas and—the / Vishera and—the Chagoda and the Ravan are / flowing into—the Tigoda and—the Pola and / the Shelon and—the Polist and the Kunya are / flowing into—the Lovat and—the Peretna / Uver and—the Valdayka is flowing / Berezayka and—the Tsna is flowing / are all flowing into
this game «Boredom» / «DetourNament», naming this game «Agents / Mesh», naming this game «Mesh Agent», / game «The Meadows of Madness», the perceptions / equilibrium—or the self leveling properties of fluids— / are tunable to finer degrees detectable by a body / restraints—whose blood pressure is extremely low / whose stomach contents are unilaterally liquid—where / shifting of the body container relative to its fluid is π/X / radians where X is at least 200 or one gradian, the / of walking is in the flexion as much as the decisiveness / the cognitive pantograph, so «let X be a meadow» / the letterform of the terrain is W—walking in place / allowing for such morphological impossibilities— / decisions are unfolding within these parameters / is assigning themselves an identifier / & that the length
naming this game Vishera / «Agents of the flowing into— / «Mesh Agent», naming this the Shelon and— / Madness», the perceptions of flowing into— / leveling properties of fluids—the Uver and—the / detectable by a body in the Berezayka and / pressure is extremely low and Lake Mstino are all / unilaterally liquid—where the and—the Pasha and / container relative to its fluid π/X and the Vodla and / 200 or one gradian, the agency are flowing into—Lake / much as the decisiveness of is flowing into— / «let X be a meadow» where —killing yourself / W—walking in place is Scotland in a field / impossibilities—and cows nearby using / parameters that a machete— / identifier or «nom the bodies / agent’s hair is Palumbo
and—the Chagoda and the / flowing into—the Tigoda and—the Pola / Shelon and—the Lovat and—the Peretna and / the Uver and—the Valdayka is flowing into— / the Barazayka and—the Tsna is flowing into— / Lake Mstino are all flowing into—the Volkhov / the and—the Pasha and the Oyat and—the Suna / and the Vodla and the Andoma and the Vytegra / are flowing into—Lake Onega and—the Volchya / is flowing into—the Vuoksi are all flowing / —killing yourself in into Lake Lagoda / Scotland in a field with are all flowing into the / cows nearby using only Neva—my heart, / machete—throwing pulseless coursing / bodies of dogs into emptying, / Ocean (this arms
at least 200 / is in the flexion as much as / cognitive pantograph, so «let X be a meadow» / letterform of the terrain is W—walking / allowing for such morphological impossibilities— / decisions are unfolding within these parameters, / the agent is assigning themselves an identifier or «nom / de promenade» & that the length of the agent’s hair / determining the sense of angular momentum & that / portions of the navmesh are stale beneath an areamask / & in response to the invalidation of a path that the / agent has allowance for the exploration of new paths / that the agent has an innate avoidance priority level / the desirousness of avoidance—& that the agent / variable height and width but is always a representation / physical material & that the increasing / avoidance and the decreasing radius / in the agent & that
the agency / the decisiveness of is flowing / be a meadow» where—killing yourself / —walking in place is Scotland in a / impossibilities—and cows nearby using / these parameters, that a machete—throwing / themselves an identifier or «nom the bodies of dogs / length of the agent’s hair is Palumbo Ocean (this / angular momentum & that is near the Colombia / stale beneath an areamask border)—braving / invalidation of a path that the heat of the Desert / exploration of new paths & hoods tightly swaddling / avoidance priority level—pulling stretching / & that the agent has a indexing the waveform / always a representation the stinging / increasing effectiveness rapidly changing / of avoidance over their / agent has an of
Lake Onega / flowing into—the Vuoksi are / —killing yourself in into Lake / Scotland in a field with are all flowing into / cows nearby using only Neva—my heart, its / a machete—throwing pulseless coursing— / the bodies of dogs into emptying / Palumbo Ocean (this arms around their / is near the Colombia knees are facing one / border) —braving the direction huddling / heat of the Desert together with conical / hoods tightly swaddling although the wind / pulling stretching elastic tendrils of fine snow— / indexing the waveform of the wind—is twirling / the stinging crystal interment from all / rapidly changing direction is lofting hoods / their faces and drifting a merciful / their legs over their
invalidation / allowance for the exploration / agent has an innate avoidance priority / desirousness of avoidance—& that the agent / variable height and width but is always a representation / of physical material & that the increasing effectiveness / of avoidance and the decreasing radius of avoidance / are evolutionary in the agent & that the agent has / allowance for the exploration of the up axis & whether / the agent is amenable to warping to a new position / Genesis—breaking cloning of instances across / bones to save a navmesh are resulting in / fortress—telling Private destruction of their originals, / Reinhardt, “You’re cadaver of a frozen horse / in charge of the laser plash palatka bustling / sights!”—building across the stone— / end poverty together for warmth, / positively wrists overheard
the / new paths & hoods / avoidance priority level—pulling stretching / & that the agent has a indexing the / always a representation the stinging crystal / the increasing effectiveness rapidly changing / decreasing radius of avoidance over their faces and / & that the agent has an of snow up their / exploration of the up axis & whether drifting in pleats / warping to a new position & that palatkas on prisoners / cloning of instances across the snow is peeling away / navmesh are resulting in the from the verso «apparator» / destruction of their originals, rifle is leaning against / cadaver of a frozen horse—entirely within his hoodpeak / palatka bustling out from the stitchy pleats / stone—or rump—, hoodcone after / warmth, straining muscle tissue / in manacles chaining
Desert together / tightly swaddling although / pulling stretching elastic tendrils of fine / indexing the waveform of the wind—is twirling / the stinging crystal interment from all sides / rapidly changing direct is lofting hoods from / over their faces and drifting a merciful insulation / of snow up their legs and over their boots, snow / drifting in the pleats of gray and khaki plash / that palatkas on prisoners of the storm, the cape of / snow is peeling away in lemniscal drybrushes / from the verso «apparator» shouldering a long / rifle is leaning against a boulder—or the kneeling / entirely within his hoodpeak and the slate green of his / stitch pleats of its waistband in a flowing pool / hoodcone after hoodcone deep in layers huddling / tissue viscous fat where the earth / precise length—over a bare
breaking cloning / to save a navmesh are / —telling Private destruction of their / Reinhardt, “You’re cadaver of a frozen / in charge of the laser plash palatka bustling / sights!” —building across the stone—or rump / robots to end poverty together for warmth, straining / in Detroit—positively wrists overhead in manacles / identifying the man ceiling and oedemic toes / who murdered a guard minor fluctuations the / stationed at the Strait by varying the distance / between toetips and concrete, the buoyancy of / strolling on waterballoons, most navigation is / visual, and because flickering peripherals in the / eyelids are a distraction to the «mesh agent» / the loci are retreating into the plush / brain—the retinas still searing
across the / resulting in the from the / of their originals, rifle is leaning / of a frozen horse—entirely within his hoodpeak / palatka bustling out from the stitch pleats of / across the stone—or rump—, hoodcone after hoodcone / together for warmth, straining muscle tissue viscous / wrists overhead in manacles chaining—the precise length / ceiling and oedemic toes grazing the concrete in a pantomime / minor fluctuations the swelling is bearing more and / varying the distance chillingly slow from the papilloform / concrete, the buoyancy of tropospheric vault whose marble / most navigation is and squinches are soft generative / peripherals in the of snow and ventifaction / spotlights through the of standing and squatting / «mesh agent» recession through the / plush meat hemisphere of snowflake / but are precipitating down
peeling away in lemniscal / verso «apparator» shouldering / leaning against a boulder—or the kneeling / within his hoodpeak and the slate green / stitch pleats of its waistband in a flowing pool / hoodcone after hoodcone deep in layers huddling / muscle tissue viscous fat where the earth is falling / chaining—the precise length—over a bare beam in the / grazing concrete in a pantomime of strolling, with / swelling is bearing more and less and more of the weight / chillingly slow from the papilloform drippings of the / tropospheric vault whose marble fanwork groins are ice / squinches are soft generative textural handpackings / with ventifaction and fingertip divots, the hoods / standing and squatting «apparators» coniferous / through the thickness of snowblinding within / snowflake deflection and reorientation / upon the downtrodden
Strait by / toetips and concrete, the / strolling on waterballoons, most navigation / visual, and because flickering peripherals in / manifestation of searing spotlights through / eyelids are a distraction to the «mesh agent» / the eye loci are retreating into the plush meat / of the brain—the retinas still searing but are / not seeing—because the difficulty of moving to / and engaging with an object is not dependent / on recognizing the object but is dependent on a / calculable location in the navmesh / to the Sea of Murmans is flowing the Vaga / and—the Vologda—white city of liquid— / more delicately the Toshnya—is flowing into— / the Sukhona—more delicately the Lezha / and the Pelshma and the Dvinitsa / and the Tsaryova and the / flowing
chillingly / buoyancy of tropospheric vault / navigation is and squinches are soft / peripherals in the of snow with ventifaction / spotlights through the of standing and squatting / to the «mesh agent» recession through the thickness / into the plush meat hemisphere of snowflake deflection / still searing but are precipitating down upon the / difficulty of moving to of crouching figures, a generally / object is not dependent whirling up about the midst of / but is dependent on a and projection are visible though / location in the navmesh gust, uniform across of Gibraltar / is flowing the Vaga the windscape an asking / city of liquid—imperfect splotch in / is flowing into—array—each row Monaco / delicately the Lezha offset—of tepid / Dvinitsa and the cream and soot is / Uftyuga and the Gorodishna— / Vychegda
papilloform / whose marble fanwork groins / are soft generative textural handpackings / ventifaction and fingertip divots, the / standing and squatting «apparators» coniferous / through the thickness of snowblinding within / hemisphere of snowflake deflection and reorientation and / precipitating down upon the downtrodden immobilization / crouching figures, a generally broad arc of snowdust is / whirling up about the midst of a black upright whose base / projection are visible though whispering through the / uniform across of Gibraltar fourteen years ago— / windscape an asking the village elder to point / splotch in the direction for the Star of / each row Monaco—driving Jeeps and Ferraris / tepid on Mexican dirt roads at dusk / tunnels to perform a specific / of ritual—bathing in / time
object / calculable location in / the Sea of Murmans is flowing / and—the Vologda—white city of liquid— / more delicately the Toshnya—is flowing into— / the Sukhona—more delicately the Lezha / and the Pelshma and the Dvinitsa and the / Tolshma and the Tsaryova and the Uftyuga and / and—the Vishera is flowing into—the Vychegda / the Revulsion and the Yarenga and the Vym— / delicately the Sharzhenga the terms finite and / and the the Kichmenga and the of the meadow which / Yentala and the Pushma and continuity of brain / the Luza—and the Uftyuga the canonical / and the Yomtsa and the city of alleys— / Pinega are all flowing into the parameter— / Northern Dvina emptying, infinite—, / overlaying the limprigor „Narrows“» / and
projection / navmesh gust, uniform across / flowing the Vaga the windscape an / city of liquid—imperfect splotch / —is flowing into—array—each row Monaco / delicately the Lezha offset—of tepid on Mexican / the Dvinitsa and the cream and soot is tunnels / Tsaryova and the Uftyuga and the Gorodishna—of ritual / flowing into—the Vychegda—more delicately fourth / Yarenga and the Vym—and the Yug—more destroyed / Sharzhenga the terms finite and infinite are applicable relative / the of meadow which has its limitations in human / and continuity of brain activity—death—, and with / Uftyuga the canonical meshforms are forest—infinite—, / city of alleys—finite—, palazzo parameter— / parameter—infinite—, city of arcades— / infinite—, Ringworld—finite—, Torusworld— / „Narrows“»—infinite on a polyhedral / home
though / of Gibraltar fourteen / an asking the village elder to / splotch in the direction for the Star of / each row Monaco—driving Jeeps and Ferraris / of tepid on Mexican dirt roads at dusk into / and soot is tunnels to perform a specific sort / Gorodishna—of ritual—bathing in mud for the / more delicately fourth time because a star’s been / the Yug—more destroyed—a soul-searching walk / infinite are applicable relatively only to the scope / has its limitations in human cognition and / activity—death—, and with this understanding / are forest—infinite—, cemetery—infinite—, palazzo parameter—finite—, motel / city of arcades—infinite—, «the „Narrows“»— / Torusworld—finite—, «the Torusworld Hamiltonian cycle with / & Szilassi»
Kichmenga and the of / Yentala and the Pushma and continuity / Luza—and the Uftyuga the canonical / and the Yomtsa and the city of alleys— / Pinega are all flowing into the parameter—infinite / Northern Dvina emptying, infinite—, Ringworld / not overlaying the limprigor „Narrows“»—infinite / horse cadaver hoof and angle shader libraries—, / in its pardoning from rot by a polyhedral Hamiltonian / deep frost—where snowfall is helical mountain— / safe from the wind in fronds Hamiltonian cycle / of stiff hair—is projecting floating pleats thickly / overturningly from the peel of snow on the wind / bending ankle and the intimation of a black / of a railtire with eightspoke wheelset / conveyance collecting light snow in its hoarfrost / hue of brown is conspicuously / instead of snow
meadow which has its limitations / continuity of brain activity—death—, / the canonical meshforms are forest—infinite / city of alleys—finite—, palazzo parameter / the parameter—infinite—, city of arcades—infinite / infinite—, Ringworld—finite—, Torusworld— / limprigor „Narrows“»—infinite on a polyhedral Hamiltonian / ankle shader libraries—, home of the lovers «Császár / by a polyhedral Hamiltonian cycle with shaders of / snowfall is helical mountain—finite—, helical stripmine— / fronds Hamiltonian cycle with shaders of transcendent / projecting floating pleats thickly weaving false iris tissue / snow on the wind and drifting over the other the / intimation of a black face before the picturesque / wheelset and ampullary hub of a large / hoarfrost tendency, such colorlessness / conspicuously blushing ember red, the / slumbering on the pictureplane
limitations in human cognition / death—, and with this understanding / forest—infinite—, cemetery—infinite—, / palazzo parameter—finite—, motel / city of arcades—infinite—, «the „Narrows“»— / finite—, Torusworld—finite—, «the Torusworld / a polyhedral Hamiltonian cycle with variable / home of the lovers «Császár & Szilassi»—infinite on / Hamiltonian cycle with shaders of unquenchable lust—, / finite—, helical stripmine—infinite on a polyhedral / shaders of transcendant agony manifesting / weaving false iris tissue aurora—, / drifting over the other forests are of minimal / the picturesque structure—paltry / hub of a large groundcover is reacting / colorlessness to the uneven and / vees of unsystematic growth / tree canopies
wind in fronds / hair—is projecting floating / overturningly from the peel of snow on the / bending ankle and the intimation of a black / ruin of a railtire with eightspoke wheelset and / conveyance collecting light snow in its hoarfrost tendency / that a ruddy hue of brown is conspicuously blushing / white moths instead of snow media are slumbering / the uninterruption of mist smothering sunlight the / the yearning of creeping phlox—although plenteous / mindmeadow all three trunks are identical but no two / to the Gulf of Ob is flowing is not a trunk but / the Katun and—the Cebdar is the ciphers are flickeringly / flowing into—the Bashkaus is the image within / flowing into—the Chulyshman surrounding / flowing into—the Biya and smallest irreducible / and the Tom and the only coordinates / Ket and the
Hamiltonian cycle with shaders / floating pleats thickly weaving false / on the wind and drifting over the other / intimation of a black face before the picturesque / eightspoke wheelset and ampullary hub of a large groundcover / snow in its hoarfrost tendency, such colorlessness to / conspicuously blushing ember red, the vees of unsystematic / media are slumbering on the pictureplane over tree / smothering sunlight the smothering windfall and / phlox—although plenteous with potential landmarks / are identical but no two may coexist, the trunk seemingly / is not a trunk but a cipher—with ranging orientation / the ciphers are flickeringly inheriting their codification / the image within the mind that is abstract / smallest irreducible data packet containing / coordinates and an object reference / the assignment
transcendent agony manifesting / false iris tissue aurora—, / over the other forests are of minimal / the picturesque structure—paltry / hub of a large groundcover is reacting / such colorlessness to the uneven and / ember red, the vees of unsystematic growth of / pictureplane over tree canopies smothering / smothering of windfall and leaflitter composting / potential landmarks in the forest of the / coexist, the trunk seemingly in the distance / —with ranging orientation around the forest / inheriting their codification of outerwear—, / that is manifesting knowledge of trees / is abstract and is a definition of the / containing thru the sand dunes / reference Adelaide—black horses / black blood
wind in fronds / hair—is projecting floating / overturningly from the peel of snow on the / bending ankle and the intimation of a black / ruin of a railtire with eightspoke wheelset and / conveyance collecting light snow in its hoarfrost tendency / that a ruddy hue of brown is conspicuously blushing / white moths instead of snow media are slumbering / the uninterruption of mist smothering sunlight the / the yearning of creeping phlox—although plenteous / mindmeadow all three trunks are identical but no two / to the Gulf of Ob is flowing is not a trunk but / the Katun and—the Cebdar is the ciphers are flickeringly / flowing into—the Bashkaus is the image within / flowing into—the Chulyshman surrounding / flowing into—the Biya and smallest irreducible / and the Tom and the only coordinates / Ket and the
Hamiltonian cycle with shaders / floating pleats thickly weaving false / on the wind and drifting over the other / intimation of a black face before the picturesque / eightspoke wheelset and ampullary hub of a large groundcover / snow in its hoarfrost tendency, such colorlessness to / conspicuously blushing ember red, the vees of unsystematic / media are slumbering on the pictureplane over tree / smothering sunlight the smothering windfall and / phlox—although plenteous with potential landmarks / are identical but no two may coexist, the trunk seemingly / is not a trunk but a cipher—with ranging orientation / the ciphers are flickeringly inheriting their codification / the image within the mind that is abstract / smallest irreducible data packet containing / coordinates and an object reference / the assignment
transcendent agony manifesting / false iris tissue aurora—, / over the other forests are of minimal / the picturesque structure—paltry / hub of a large groundcover is reacting / such colorlessness to the uneven and / ember red, the vees of unsystematic growth of / pictureplane over tree canopies smothering / smothering of windfall and leaflitter composting / potential landmarks in the forest of the / coexist, the trunk seemingly in the distance / —with ranging orientation around the forest / inheriting their codification of outerwear—, / that is manifesting knowledge of trees / is abstract and is a definition of the / containing thru the sand dunes / reference Adelaide—black horses / black blood
all tree trunks are identical / Gulf of Ob is flowing is not a / Katun and—the Cebdar is the ciphers / flowing into—the Bashkaus is the image within / flowing into—the Chulyshman surrounding the / is flowing into—the Biya and smallest irreducible / the Aley and the Tom and the only coordinates and / Chulym and the Ket and the identifier—with the / Parable and the Vasyugan and value allowing for / the Tym and—the Sabun is signatures that are / flowing into—the Vakh and—meadow data for each / the Om and—the Uy and—the in the mindmeadow / Miass is flowing into—the Iset the cognition to / and the Ubagan and the Tura but because of / and the Tavda are flowing is inversely proportional / the Tobol and the Tara complication / Ishim are flowing rustication / all
no two may coexist, / trunk but a cipher—with ranging / ciphers are flickeringly inheriting their / the image within the mind that is manifesting / surrounding the meadow vertex is abstract and / smallest irreducible data packet containing / the only coordinates and an object reference Adelaide / identifier—with the assignment of a / and value allowing for variation in treebark / signatures that are inextricable from the the / meadow data for each tree—, thus walking (c. 2013) / the in the mindmeadow forest is challenging / the cognition to the greatest extent, not because / but because of its navigatory mutability—increasing / inversely proportional or ∝ to increasing / complication of navigating a Tuscan heap / rustication filigree—all manners of / overarching scalar
trunk seemingly in the / ranging orientation around the forest / inheriting their codification of outerwear—, that is manifesting knowledge of trees / vertex is abstract and is a definition of the / packet containing thru the sand dunes of / object reference Adelaide—black horses and / assignment of a black blood on the black / variation in treebark ground—pitching a tent for / inextricable from the the Prince of Saudi Arabia / tree—, thus walking (c. 2013)—Jupiter trees— / is challenging drone strikes and Harriers / greatest extent, not because of its visual complication / mutability—increasing degree of difficulty / to increasing mutability or ▽, where visual / Tuscan heap rife with corbels and brackets / overwrought ornament—is relatively / selfsameness, this is a cancellation
the Vakh and—meadow / and—the Uy and—the in the mindmeadow / is flowing into—the Iset the cognition / the Ubagan and the Tura but because of / and the Tavda are flowing is inversely proportional / into—the Tobol and the Tara complication of / and the Ishim are flowing rustication filigree— / into—the Irtysh are all easy due to its overarching / flowing into the Ob emptying, meadow, is the silencing / navigation, it is not, but that accuracy is of less consequence / distinction between lack of comprehension and blackout / the serpent scree of huddling prisoners slumping / in cloakhoods gathering snow in an arc around / the compasspoint of a downcast «apparator» / shouldering his long rifle on downcast horsemount / is suffering hitchingly to the snowy consumption / black tree trunk or infrastructure / aurora of snowmist
for each tree—, thus / mindmeadow forest is challenging / cognition to the greatest extent, not / but because of its navigator mutability— / is inversely proportional or ∝ to increasing mutability / complication of navigating a Tuscan heap rife / rustication filigree—all manners of overwrought / easy due to its overarching scalar selfsameness, / emptying, meadow, is the silencing of noise, and not that it / that accuracy is of less consequence, in the cancellation / comprehension and blackout madness although engaging / huddling prisoners slumping of factors and not comprehending / snow in an arc around entailing blackout madness / downcast «apparator» something stimulating the / downcast horsemount is a high probability that / consumption of a this Thursday (after / timber in roaming in the / distant their business—
walking (c.2013)— / challenging drone strikes and / extent, not because of its visual complication / mutability—increasing degree of difficulty / ∝ to increasing mutability or ▽, where visual / a Tuscan heap rife with corbels brackets / manners of overwrought ornament—is relatively / overarching scalar selfsameness, this is a cancellation / of noise, and not that it is more conducive to / consequence, in the cancellation meadow there is no / madness although engaging in a constellation / factors and not comprehending is not necessarily / entailing blackout madness because there is never not / something stimulating the comprehension faculties—it / probability that it is simply useless—, / Thursday (after dinner)—giant reptiles / background as two adults discuss / darkness of the
between lack of comprehension / serpent scree of huddling prisoners / cloakhoods gathering snow in an arc / compasspoint of a downcast «apparator» / shouldering his long rifle on downcast horsemount is suffering hitchingly to the snowy consumption of / barren black tree trunk or infrastructure timber in / a vague blue aurora of snowmist, from the distant / horizon conifers and arrowheads are emerging as / an unfurling serpentcurl of huddling prisoners in / cloaktents under the supervision of intermittent / «apparators»—on horseback in pairs of solitary— / in the similar garb of hoodpoints and drapery, / being a field of no inherent variety, the basis / exploratory meditation has too much complication / inmate, the axiomatization of its fields / solely in equations, are not ergodic, / minutes to
and blackout madness / slumping of factors and not comprehending / an arc around entailing blackout madness / downcast «apparator» something stimulating / downcast horsemount is a high probability that / snow consumption of a this Thursday (after dinner)— / infrastructure timber in roaming in the background / snowmist, from the distant their business—the darkness / arrowheads are emerging as the night-vision goggles’ batteries / huddling prisoners in a perfectly good pair of suit / supervision of intermittent chase through some grottos / in pairs of solitary—from seven years ago that / hoodpoints and drapery, Ghit’mo is real—blinking / variety, the basis of has already happened— / much complication sand and glass particulates / of its fields are for nine years—the / ergodic, are too open under products / although this seemingly
although engaging in a constellation / not comprehending is not necessarily / blackout madness because there is never / stimulating the comprehension faculties— / probability that it is simply useless—, / Thursday (after dinner)—giant reptiles roaming in the background as two adults discuss / their business—the darkness of the caves after / night-vision goggles’ batteries die—ruining / perfectly good pair of suit pants because of a / chase through some grottos—producing photos / seven years ago that prove the Crater of / Ghit’mo is real—blinking too hard after the blast / already happened—unable to produce tear— / glass particulates inside your stomach / —the face of Abd-A’nn (the Great / products and subalgebras and homomorphic / of promising possibility
the supervision / «apparators»—on horseback in pairs of / similar garb of hoodpoints and drapery, / being a field of no inherent variety, the basis / exploratory meditation has too much complication / for the inmate, the axiomatization of its fields are / not lying solely in equations, are not ergodic, are too / imagery, and minutes to remove the although / the inmate bags—rubbing your face in a morass, / masonry cell because the King is here—and within / gibbet of shaking because you the mind, / mindmeadow have seen the Tree—car however / characteristic crashing over some trees—multiplicative / inversion—gun smoke—inhale the is / with the cosmos to the Black Sea embedment / devices and artifacts for the amusement / existing because they have / the meadow
intermittent chase through / solitary—from seven years / and drapery, Ghit’mo is real—blinking / variety, the basis of has already happened— / much complication sand and glass particulates / axiomatization of its fields are for nine years—the face of / are not ergodic, are too open under products and subalgebras / to remove the although this seemingly is full of promising / rubbing your face in a morass, a multiple ensnarement / King is here—and within the that evaporate / shaking because you the mind, the the East—traipsing / the Tree—care however—with thistles—kneeling / some trees—multiplicative no face—sisters / inhale the is varietal and parties for days / Black Sea embedment lighter after / amusement and pleasure and Dan-esh / locations within the your / are existing
grottos—producing / years ago that prove the Crater of / real—blinking too hard after the blast / happened—unable to produce tears— / and glass particulates inside your stomach / nine years—the face of Abd-A’nn (the Great / under products and subalgebras and homomorphic / seemingly is full of promising possibility it is leaving / a multiple ensnarement within both the concrete / the that evaporate—experiencing terrors from / the the East—traipsing through a meadow of / with thistles—kneeling at the feet of a man with / multiplicative no face—sisters of the Grey Mountain—parties for days—burning yourself with / lighter after you pass the village of Suh’ekh / Dan-esh—injecting antidote formula / right arm just to make the / two hours)—
shaking because / mindmeadow have seen the Tree— / characteristic crashing over some trees— / inversion—gun smoke—inhale the is / rich with the cosmos to the Black Sea embedment / of devices and artifacts for amusement and pleasure / they are existing because they have locations / concatenation of the meadow, in a field there are / devices and artifacts as well but they do not have / and are not locatable—discover of a device is not / of its location—, and although the inmate is seeing / is not there, whereas in the meadow the device / is inextricable from the equational concatenation / Devourer)—camping defining and locating them, / at the Hill of existence is materially / Presidents—installing with the meadow— / cameras of the algorithm—, / ShuddershockTM through the
mind, the / car however—with thistles / trees—multiplicative no face—sisters / inhale the is varietal and parties for days / Black Sea embedment lighter after / amusement and pleasure and Dan-esh—injecting / they have locations within the your right arm / meadow, in a field there are existing disappear (for two / but they do not have locations the face with your / discovery of a device is not discovery in two with the / although the inmate is seeing it, it riot control hand / meadow the device or artifact up mostly / equational concatenation that is state—assassinating / and locating them, thus their off in the distance— / is materially congruent the Broken Sun— / meadow—they are existing not as a separate / —, the body unable to touch / of the algorithm,
—traipsing through / thistles—kneeling at the feet of / no face—sisters of the Grey Mountain / parties for days—burning yourself with the / lighter after you pass the village of Suh’ekh / Dan-esh—injecting antidote formula into / the your right arm just to make the nightmare / existing disappear (for two hours)—stabbing a man in / locations the face with your mind—splitting a coconut discovery in two with the butt of your gun—tossing a it riot control hand grenade into a crowd made / artifact up mostly of men from the neighboring / is state—assassinating the ninth in line—drums / off in the distance—impersonating the god of / the Broken Sun—removing a limb to satisfy / a separate entity amok, but as an inflection / anything but pain is approaching / of its concatenation—
and although / there, whereas in the meadow / inextricable from the equational concatenation / Devourer)—camping defining and locating them, / at the Hill of existence is materially / Presidents—installing with the meadow—they are / security cameras of the algorithm—, the body / (with ShuddershockTM through the material of the / technology) elasticizeable digitization of / in the wells of variety of precision settings / Usu’urp—shadows are fluctuating arbitrarily under / the influence of body temperature and the screaming / coming through the brittle mortar in the walls, / «wanderers in a pumpcar convoy are accepting / invitation for dinner and fellowship from / family in the hinterlands, though what gratitude / disposal, they, scattershot throughout
seeing it, it / the device or artifact / concatenation that is state—assassinating / and locating them, thus their off in the distance / existence is materially congruent the Broken Sun— / the meadow—they are existing not as a separate entity / algorithm—, the body unable to touch anything but / through the material of the algorithm, and because of / elasticizeable digitization of a simple machine—the meadowmesh / variety of precision settings that modern ritual—slipping / fluctuating arbitrarily under the face of the mountain / temperature and the screaming is scratched up—immortals / mortar in the walls, of them—serpentine / convoy are accepting an confusion—don’t make / fellowship from a gracious the days until / what gratitude is at looking at / throughout the vague months, nine / mournful exile» and nine
hand grenade / up mostly of men from the / state—assassinating the ninth in line— / off in the distance—impersonating the god / the Broken Sun—removing a limb to satisfy / not as a separate entity amok, but as an inflection / to touch anything but pain is approaching tactility / algorithm, and because of its concatenation—being the / simple machine—the meadowmesh is functional at a / modern ritual—slipping on blood and falling down / the face of the mountain with your rifle getting all / scratched up—immortals off in the distance, three / of them—serpentine formations—scatter, to cause / confusion—don’t make any friends—counting down / the days until April—swallowing your words— / looking at the same picture for three years, / nine days, seven hours, fourteen / —emptying his shoes
shadows are fluctuating / influence of body temperature and / through the brittle mortar in the walls / «wanderers in a pumpcar convoy are accepting / invitation for dinner and fellowship from a / family in the hinterlands, though what gratitude / their disposal, they, scattershot throughout the / in mournful exile» / although meshagents are declaring thus, there / supportive codification for straightline solutions / the meadow, an agent simply awakening from / meadow—to a pear of anguish expanding against / his palate, a spotlight pointblank against the iris, / soothe the mind—accepting your tomographic / fate after too many close calls—contouring / tossing animal bones into the fire a Judas / a nutrient-rich soil melt—pyramid / and swallowing blood—
arbitrarily under the / the screaming is scratched / the walls, of them—serpentine / convoy are accepting an confusion—don’t / fellowship from a gracious the days until April / though what gratitude is at looking at the same / scattershot throughout the vague months, nine days, / in mournful exile» and nine seconds—emptying / declaring thus, there is no dead—asking her for / straightline solutions to gun—dousing the flame / simply is awakening from the 1:22AM—method-killing / anguish expanding against feel anything)—how / pointblank against the iris, the the valley?—memorizing / your tomographic Realm—impressions / calls—contouring of man from South / fire a Judas cradle deaf—signing, / pyramid by a supplies—a / tremulously the Den
mountain with your / up—immortals off in the distance, / —serpentine formations—scatter, / confusion—don’t make any friends—counting / the days until April—swallowing your words / looking at the same picture for three years, six / months, nine days, seven hours, fourteen minutes / and nine seconds—emptying his shoes because he is / dead—asking her for directions—water inside the / gun—dousing the flame because it’s about to be / 1:22AM—method-killing (because this helps to not / feel anything)—how dark is it on the other side of / the valley?—memorizing the path to the Shadow / Realm—impressions of the weak—a water birth—a / man from South Korea and his daughter who / signing, how to get to the general store / patrol for one man so her can / Thieves—poems over the
agent simply / to a pear of anguish expanding / palate, a spotlight pointblank against / soothe the mind—accepting your tomographic / fate after too many close calls—contouring / tossing animal bones into the fire a Judas / to cause a nutrient-rich soil melt—pyramid / losing teeth and swallowing blood—tremulously / digging holes with three shovels—elastic anus— / sticking dynamite into holes to sniffing along / create bleeding oil—laughing and elephants / smoking cigars—accidentally and Hannibal / grabbing the wrong-size glove for men with / your left hand—feeling off-balance fights and / the entire trek—finally feeling as if woman / your accuracy has improved after / shot #44,684—commandeering / squad toward the site of the
from the 1:22AM / expanding against feel anything) / against the iris, the the valley?— / your tomographic Realm—impressions / calls—contouring of man from South / the fire a Judas cradle deaf—signing, how / melt—pyramid by a supplies—a patrol for / blood—tremulously the Den of Thieves— / shovels—elastic anus—not escaping from the meadow / holes to sniffing along linkchains the «apparator» / laughing and elephants and white snow consciousness / accidentally and Hannibal in satin—two consciousness / glove for men with seven dogs and dog Rickettsia / off-balance fights and pleasure money—a the introduction / as if woman playing the Farfisa is transforming / after organ in the late evenings the / and everyone indulging the / drone—spreading the
killing (because / anything)—how dark is it on the / valley?—memorizing the path to the / —impressions of the weak—a water birth— / man from South Korea and his daughter who / deaf—signing, how to get to the general store for / supplies—a patrol for one man so he can make it to / the Den of Thieves—poems over the dinner fire to / escaping from the meadow but interrupting the agent’s linkchains the «apparator» is slapping his face back to / white snow consciousness out from the meadow, in / satin—two consciousness the bacterial infection / dogs and dog Rickettsia prowazekii is manifesting / money—a the introduction of the applyoperator / Farfisa is transforming the statemachine of / evenings the meadow to a thread given / the hazy sweatings of typhus / drawing back into the
bleeding oil—laughing / smoking cigars—accidentally / grabbing the wrong-size glove for men / your left hand—feeling off-balance fights / the entire trek—finally feeling as if woman / your accuracy has improved after organ / shot #44,684—commandeering and everyone / a squad toward the site of the drone—spreading / earthquake—a leg bending in a way of the Lord / a leg should not bend—a friendly the land— / round of arm wrestling turned into the / into a traumatic hospital stay—remove the / gumming the coke—breaking his of sweat— / nose (again)—telling stories of under
elephants and white / and Hannibal in satin—two / men with seven dogs and dog Rickettsia / balance fights and pleasure money—a the introduction / as if woman playing the Farfisa is transforming / improved after organ in the late evenings the meadow / commandeering and everyone indulging the the hazy / site of the drone—spreading the word drawing / in a way of the Lord to the savages of an areamask / friendly the land—dipping your hat entombment / wrestling turned into the river to mask and of a wall— / hospital stay—remove the dried salt stains emergence / breaking his of sweat—putting ice cubes masonry— / under your eyes for three vibration
consciousness out from / consciousness the bacterial / dog Rickettsia prowazekii is manifesting / money—a the introduction of the applyoperator / Farfisa is transforming the statemachine / evenings the meadow to a thread given within / indulging the the hazy sweatings of typhus are / spreading the word drawing back into the dim beneath / savages of an areamask of tree canopies or / dipping your hat entombment within a single wythe / to mask and of a wall—a hand in horror flailing in / salt stains emergence from the grit of concrete / ice cubes masonry—crying for salvation in the / for three vibration of paintlayers.